LA TOUR, Georges de

French Baroque Era Painter, 1593-1652 French painter. He was well known in his lifetime, especially for his depictions of candlelit subjects, then was forgotten until the 20th century, when the identification of works previously misattributed established his reputation as a giant of French painting. His early works were painted in a realistic manner and influenced by the dramatic chiaroscuro of Caravaggio. The paintings of La Tour's maturity are marked by a startling geometric simplification of the human form and by the depiction of interior scenes lit only by the glare of candles or torches. His religious paintings done in this manner have a monumental simplicity and a stillness that expresses both contemplative quiet and wonder. Little is known of his life, and only four or five of his paintings are dated.


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LA TOUR, Georges de Saint Jerome Reading sg oil


Saint Jerome Reading sg
Painting ID::  7760
Saint Jerome Reading sg
1621-23 Oil on canvas laid down on wood, 62.2 x 55 cm Royal Collection, Hampton Court
   
   
     

LA TOUR, Georges de Quarrelling Musicians sg oil


Quarrelling Musicians sg
Painting ID::  7761
Quarrelling Musicians sg
1625-30 Oil on canvas, 94 x 140 cm Private collection
1625-30 Oil_on_canvas,_94_x_140_cm Private_collection
   
   
     

LA TOUR, Georges de The Payment of Dues g oil


The Payment of Dues g
Painting ID::  7762
The Payment of Dues g
1630-35 Oil on canvas, 99 x 152 cm Museum of Fine Arts, Lwow
   
   
     

LA TOUR, Georges de St Jerome sv oil


St Jerome sv
Painting ID::  7764
St Jerome sv
1630-35 Oil on canvas Mus??e de Grenoble, Grenoble
1630-35 Oil_on_canvas Mus??e_de_Grenoble,_Grenoble
   
   
     

LA TOUR, Georges de St Thomas sg oil


St Thomas sg
Painting ID::  7765
St Thomas sg
1625-30 Oil on canvas, 69 x 61 cm Mus??e du Louvre, Paris
1625-30 Oil_on_canvas,_69_x_61_cm Mus??e_du_Louvre,_Paris
   
   
     

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     LA TOUR, Georges de
     French Baroque Era Painter, 1593-1652 French painter. He was well known in his lifetime, especially for his depictions of candlelit subjects, then was forgotten until the 20th century, when the identification of works previously misattributed established his reputation as a giant of French painting. His early works were painted in a realistic manner and influenced by the dramatic chiaroscuro of Caravaggio. The paintings of La Tour's maturity are marked by a startling geometric simplification of the human form and by the depiction of interior scenes lit only by the glare of candles or torches. His religious paintings done in this manner have a monumental simplicity and a stillness that expresses both contemplative quiet and wonder. Little is known of his life, and only four or five of his paintings are dated.

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